Danaë Moons
FILTER: DESTRUCTIVE FORCES AT WORK
‘Stranglehold’ came about after a descent into the Polish coal mine Wujek. Miners – “workers of the fire” as Danaë Moons calls them – are in direct contact with the Earth. This is in contrast to modern humans who are becoming increasingly estranged from nature and more dependent on consumer products that are forced on us. With ‘Stranglehold’, Moons refers to a physical power play, to our lack of awareness of the surrounding nature, and the destructive effect that this has. Are we capable of letting go of these forces that threaten the survival of the Earth and humanity?
Artwork
Stranglehold
sculpture 2013
Danaë Moons (Netherlands, 1985)
Our contact with and knowledge of the Earth is slipping away from us, and is giving way, according to Danaë Moons, to a detached attitude. In her sculptures, drawings and video work, she expresses her desire to restore that contact.